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Silvana Armenulić

Silvana Armenulić

10.10. 76. – 10. 10. 2014

From Wikipedia, the free encyclopedia
Silvana Armenulić
painting of Armenulić
Born Zilha Bajraktarević
10 February 1938
Doboj, Vrbas Banovina, Kingdom of Yugoslavia
Died 10 October 1976 (aged 38)
Kolari, Smederevo, SR Serbia, Yugoslavia
Other names Zilha Armenulić, The Queen of Sevdalinka
Years active 1954–76
Children Gordana (b. 1965)
  • Mehmed (1913–1965)
  • Hajrija (1916–2008)
Musical career
  • vocals
Associated acts

Zilha Bajraktarević[1] (10 February 1938 – 10 October 1976), known professionally as Silvana Armenulić (pronounced [silvǎːna armɛ̌nulit͡ɕ]), was a Yugoslav singer-songwriter and actress from Bosnia and one of the most prominent commercial folk music and traditional sevdalinka singers in Yugoslavia.[2] She is called the "The Queen of Sevdalinka".[3][4][5] Her life was cut short when she died in a road accident at the age of 38, but she continues to be well regarded in the region and she is recognized for her unique singing style and voice. Armenulić's song "Šta će mi život", written by her friend and contemporary Toma Zdravković, is one of the best-selling singles from the former Yugoslavia.

Two of her sisters were also professional singers: Mirsada Mirjana Bajraktarević and Dina Bajraktarević.


1939–55: Early life, family and interest in music

Born Zilha Bajraktarević[6][7][8] in the Bosnian city of Doboj, she was the third of thirteen children in a Muslim Bosniak family.[9] Her mother was Hajrija (25 November 1916 – 2008) and her father was Mehmed Bajraktarević (1913–1965), a local cake shop operator.[10][11] Zilha survived a bout with diphtheria as a child shortly after World War II.

Zilha had a brother named Hajrudin who died about two weeks after being mauled by a dog in the 1940s. After her brother's death, her father found solace in alcohol and solitude, neglecting the family and his business. After her father's cake shop closed, the family suffered greatly. Some of her earliest memories were of her father's absence and the second World War, when mother Hajrija and the children hid in the basement from Ustaše troops. The family of thirteen children included sisters Zilha (Silvana), Mirsada (Mirjana), Hajrudina (Dina), Abida, and Ševka, and brothers Hajrudin, Muhamed, Izudin, Abudin, and Ismet.

Bajraktarević began singing at an early age and she would later say that she got her voice from her father, a bohemian. As a child, she would sing to him while sitting in his lap. But when she had thoughts of pursuing a professional singing career, her father was not supportive. Then one day, after coming home hung over from a night of drinking, and with the wave of a hand, he said "Go! If you really want to be a singer, go." In 1947, she was enrolled into elementary school, where she learned to play the mandolin, which was a gift from her parents. After that, she played the mandolin and sang more and more, but her grades in school kept declining. By the time she reached the eighth grade, all interest in school had been lost and she had made a name for herself locally as prominent kafana singer.

1959–68: Marriage and relationships

Bajraktarević met her husband, tennis player Radmilo Armenulić, in 1959 when she was singing at the Grand Casino in Belgrade. They married two years later on 26 October 1961 and their daughter Gordana was born on 13 January 1965.[12][13] After seven years of marriage, Radmilo allegedly cheated on Silvana with her friend, the singer Lepa Lukić.[14][15] There were even tabloid reports at the time that Silvana and Lepa had gotten into a physical fight in an airport. After that she recorded a song called "Sedam godina ljubavi" (Seven Years of Love).[16] Silvana and Radmilo were believed to have divorced, although many years later, Radmilo revealed that they had separated but stayed legally married until her death.

Silvana was a Bosnian Muslim (today known as Bosniak) and her husband Radmilo was a Serb, making theirs an ethnically mixed marriage. Radmilo's mother Gordana (born 1914)[17] disapproved of the marriage as did Silvana's father Mehmed who even refused to speak to his daughter. In fact, Silvana was not allowed into his home until his death in 1965, when she returned to Doboj for his funeral.[18]

After her marriage ended, many men vied for her affection, including politicians Stane Dolanc and Branko Pešić.[19]


Career beginnings

Sometime in the year 1953, a young Zilha was heard singing in a Doboj kafana by Aca Stepić, and it was a voice he did not forget. They met again six years later in 1959, at the hotel Bristol in Belgrade, after she started singing professionally. She was performing with the orchestra of Jovica Marinović and the singer/drummer was Cune Gojković. After that, she began singing with Aca in the Grand Casino in Belgrade, where she met her future husband Radmilo.[20]

Silvana moved to Sarajevo at the age of sixteen in 1954, where she lived with her aunt and sang in local kafanas for money. One night Silvana, then still called Zilha, met accordionist Ismet Alajbegović Šerbo in the Sarajevo suburb Ilidža. Delighted with her voice, he wanted to make her part of his orchestra, but the girl was underage and needed her parents permission. Of course, they gave consent and Šerbo promised her that she would have food, a place to stay and a salary of 20,000 dinars monthly. There, she entered the professional world of showbiz.[21][22]

On a cold night in Leskovac in spring 1958, Silvana was walking through a park back to her hotel after a performance at the garden of a restaurant called Hisar, when she saw a young man sleeping on a bench. It was Toma Zdravković. She approached him, woke him up, sat down and started a conversation. She asked him "Where are you from? What do you do?". He told her he was from a village, and had come to the city looking for a job. He couldn't find a job, and was broke with no way to pay his fare back home. Silvana wished to help him. She brought him back to the hotel, got him some food and a bed to sleep in. The next morning, as she was changing the bed sheets she found a notebook with lyrics on every page. It was then that she realized his talent for songwriting and singing. She begged the manager of the hotel to help Toma find a job. Toma began singing with her, and later she got him his own record deal and he began recording and touring on his own. The two of them became legends of the former Yugoslavia.[23][24]

Stage name

Eventually she moved to Belgrade, the capital of Yugoslavia, in order to further her singing career. There she adopted the stage name Silvana after the Italian actress Silvana Mangano. When she was a young girl, her friends would jokingly call her Silvana after watching the film Bitter Rice, because she resembled the actress. Silvana for her was a psychological defense against the real world, the possibility that, at least for the moment, she could actually turn into Silvana Mangano, whose film she never forgot.

1965–69: First recordings and television

While in Belgrade, Armenulić frequently performed in the bohemian neighborhood Skadarlija. During this time, she was offered several recording contracts from the incredibly competitive Yugoslav record labels. The first song she ever recorded was the Bosnian sevdalinka "Nad izvorom vrba se nadvila" (Over the Spring, the Willow Tree Hung), although it wasn't officially released until her 1968 album Otiš'o si bez pozdrava (You Left Without Saying Goodbye), three years after her first album was released. After recording a single record for the label Diskos in Aleksandrovac, she was invited by the label PGP-RTB to record in the then-popular duet format. Armenulić recorded duet albums with singers Petar Tanasijević, Aleksandar Trandafilović, Slavko Perović and Dragan Živković in the 1960s. After both companies competitively issued her records for a period of time, Armenulić grew "tired" of singing in duets. The opportunity to record as a soloist came from the Zagreb-based record label Jugoton.[25]

Her career had taken off rapidly and she became one of the biggest commercial folk stars in Yugoslavia. This led to numerous and well-publicized country-wide singing engagements. She also appeared in many popular TV sitcoms such as Ljubav na seoski način ("Love in the Rural Way") with famous Serbian comedian Čkalja and folksy movies such as Građani sela Luga ("Citizens of the Village Luga".)

1969–76: Šta će mi život and Lov na jelene

In 1969, she and singer Toma Zdravković sang in the same group, and Zdravković wrote her biggest hit "Šta će mi život, bez tebe dragi" (loose English translation: "What Good Is Life, Without You My Dear"):

...We ran into each other a lot, in different towns of Yugoslavia, and in 1969, we sang in the same band. I was already a well known and requested composer. She was completely down. She was depressed all the time and wanted me to write her a song. But what? All of my songs were inspired by women I fancied and love-life, but we were good ol' friends. I had no inspiration. Until one day, I went drinking with my friends, we were drunk for three days straight, and the fourth day I woke up at a hotel, went down to the lounge, ordered a cup of coffee and just like that, I was hungover and wrote "Šta će mi život". I recorded the song in the studio and wanted to use it for a festival coming up, but when she heard it, she wanted to have it. And what could I do? It was her song, inspired by her life, and her problems. I gave her the song and it was a bingo. I wish I had never written it. She died seven years later, it was like the song came true. It would have been better if she had never recorded that song. It would have been better if she had never become famous. She might still be alive...

The song became one of the biggest folk hits ever written in Yugoslavia and transformed Zdravković and Armenulić herself into superstars. But Armenulić's life ironically ended seven years later.[26]

She co-starred in 1972 film Lov na jelene with Boris Dvornik, Ivo Serdar and Miha Baloh, among others. The film was written and directed by Fadil Hadžić.

On a Belgrade-based television New Year's Eve program awaiting the year 1972, the director Dejan Karaklajić suggested Silvana dress in a swimsuit and jump in a pool to resemble Hollywood actress Esther Williams. She initially refused and did not like the way her body looked in the swimsuit but was forced to do it as the sponsors had paid 13 million dinars. She cried and then agreed to appear on the program, but not in the swimsuit and refused to swim in a pool. The stunt sparked outrage among her fan base, who were not used to seeing her sexualize herself. She was also banned from all Yugoslav television for refusing to follow orders.[27][28]

Throughout the 1970s and leading up to her death in 1976, she had several hit songs: "Rane moje" (My Wounds), "Ciganine, sviraj sviraj" (Gypsy, Play Play), "Srce gori, jer te voli" (My Heart Burns, For It Loves You), "Grli me, ljubi me" (Hug Me, Kiss Me), "Ja nemam prava nikoga da volim" (I Do Not Have the Right to Love Anyone), "Srećo moja" (Happiness of Mine), "Kišo, kišo tiho padaj" (Rain, Rain, Fall Quietly) and "Život teče" (Life Flows.)

As she become more popular in Yugoslavia, she often performed for Yugoslav president Josip Broz Tito and his wife Jovanka Broz. She was friends with many communist politicians including Branko Mikulić, Hamdija Pozderac and Džemal Bijedić. During a radio interview in Sarajevo in 1973 she stated that she was a fan of fellow sevdalinka singer Safet Isović and called him a "darling."[29]


Before death

In the final few years of her life, Armenulić became increasingly obsessed with learning her own fate, so much so that she learned all she could about astrology, telepathy, and spoke with self-proclaimed prophets. In early August 1976, just two months before her death, she was on tour in Bulgaria and decided to seize the importunity to meet with mystic Baba Vanga. The meeting was unpleasant. Vanga, who was blind, only sat and stared out a window with her back to Silvana. She did not speak. After a long time, Vanga finally spoke: "Nothing. You do not have to pay. I do not want to speak with you. Not now. Go and come back in three months." As Silvana turned around and walked towards the door, Vanga said: "Wait. In fact, you will not be able to come. Go, go. If you can come back in three months, do so."[30] Silvana took this as confirmation that she would die and left Vanga's home in tears.[31]

After Armenulić's death, friends said that she often worried about her fate. In October 1971 she was in a car accident that almost claimed her life, and which irresistibly recalls the tragedy that took her life five years later. Three months after the accident, she said: "I am a big pessimist. I'm afraid of life. The future. What will happen tomorrow. I fear that, for me, there might not even be a tomorrow...."

Armenulić and her younger sister Mirsada Bajraktarević were at the opening of restaurant called "Lenin Bar" on 9 October 1976, the day before their deaths. Since the interior of the restaurant was meant to resemble a cave, there were spikes in the shape of stalactites hanging from the ceiling. Silvana hit her head on one when getting up from her chair, which caused huge headache the rest of that day and the next.

Death and funeral

On Sunday, 10 October 1976, at around 9:15 PM CEST, Silvana died in a car crash near the Serbian village of Kolari in Smederevo along with her 25-year-old pregnant sister Mirsada and violinist/Radio Belgrade folk orchestra conductor Miodrag "Rade" Jašarević. They were driving in a Ford Granada car en route from Aleksandrovac to Belgrade after a concert.

Originally, Silvana was to drive with Mirsada sitting in the passengers seat, before Montenegrin singer Ljubomir Đurović asked if he could drive back to Belgrade with them. As Đurović was putting his bags into the car, Rade Jašarević asked the sisters if he also could take a ride with them to Belgrade, explaining that he had no one to go with since all the other singers that had earlier performed the show now stayed behind to watch the live television broadcast of the Spain versus Yugoslavia World Cup qualifying football match from Seville. Đurović, who had forgotten about the match, now asked the sisters if they wanted to stay to watch the football then all drive back to Belgrade once the match ended. The sisters refused as they were both tired and Silvana had a severe headache after hitting her head in the restaurant the day before. Đurović decided to stay in order to watch football and drive back to Belgrade in Boki Milošević's Volvo after the game.

Silvana was behind the wheel when they left, but sometime between their departure and the crash, 60-year old Jašarević had taken the wheel.[32]

Their car was reportedly traveling 130 km/h, when it veered into oncoming traffic lanes at the 60th kilometer of the Belgrade—Niš highway, colliding head-on with a FAP truck driven by 52-year old Rastko Grujić.[33][34] Armenulić had been sleeping in the passengers side seat and her younger sister was asleep in the backseat.

Initially, only the death of Jašarević was reported, as television shows refused to mention Silvana because of a 1972 incident during a live broadcast on New Year's Eve show, which got her banned from all television. The exact cause of the accident is unknown, but it is believed that the crash is directly related to a brake problem. The Ford Granada they were driving was recalled for "dangerous structural defects observed in the control mechanism". A notification was sent to all customers that the models manufactured between September 1975 and June 1976 were faulty. Owners were advised to return the cars. It is not known if Silvana was aware of the recall, and just opted to not return the car, or if she was completely unaware.

Between 30,000 and 50,000 people attended their funeral, including singers Lepa Lukić and Hašim Kučuk Hoki (who himself died in a near-identical car crash on 26 November 2002.)[35] She and her sister were buried side-by-side in the cemetery Novo groblje.

1976–2014: Aftermath

The singer Lepa Lukić has said that she was asked to perform at the concert that day but overslept for the first time in her career and did not make it to the concert;[36] she later stated that she believes, had she gone with them, she would have lost her life in the crash with the sisters.[37] In 2013, Lepa revealed in an interview that she hasn't driven a car since the sisters' deaths, out of fear that she would share their fate.[38][39]

During the Bosnian War of the 1990s, Silvana's mother Hajrija and sister Dina fled their home in Doboj to Denmark. In 2004, Hajrija (by then nearly 88 years old), filed a lawsuit against her former son-in-law and Silvana's ex-husband Radmilo Armenulić, the suit alleged that the six-bedroom apartment in which he lived with his second wife, belonged to the Bajraktarević family. She said that Silvana bought the apartment after she divorced Radmilo and planned on living there with her daughter Gordana, but shortly thereafter lost her life. Radmilo commented to the press, that he was still legally married to Silvana up until her death and alleged that the apartment was left to their daughter Gordana. After Silvana's death, Radmilo got custody of the then twelve-year old girl, and being her legal guardian, owned the apartment.[40]

Silvana's mother Hajrija lived into her 90's, dying in 2008. Five years after their mothers death, Silvana's youngest brother Ismet died in January 2013 and her oldest sister Ševka died on 30 September 2013 in Trebinje at the age of 79, leaving Dina the last living of the female Bajraktarević children.

In a 2013 interview, her former husband Radmilo stated he still visits her grave and always leaves fresh flowers. He also said that Silvana's friend Predrag Živković Tozovac visits her grave frequently.


Fellow Bosnian singer Lepa Brena has twice covered Armenulić's songs; in 1995 she covered "Šta će mi život" for her album Kazna Božija,[41] and in 2013 she covered "Ciganine ti što sviraš" on Izvorne i novokomponovane narodne pesme.[42] Although Silvana and Brena never met (Brena's career started a few years after Silvana's death), they did have a mutual acquaintance: their manager Milovan Ilić Minimaks.

On 10 October 2011, the 35th anniversary of her death, Exploziv, a show on Serbian television channel Prva Srpska Televizija, included a ten-minute segment in which they interviewed some of Armenulić's surviving friends and her daughter, Gordana. The segment also included a reenactment of the car crash.[43]

Serb writer Dragan Marković released a biography about her life entitled "Knjiga o Silvani" (Book About Silvana) on 9 December 2011.[44] Silvana's daughter Gordana was among the people interviewed for the book.


Albums and singles

Tracks Released
Voljesmo se zlato moje[45] with Petar Tanasijević
  1. Voljesmo se zlato moje
  2. Karanfile cvijeće šareno
  3. Otiš'o si dragi
  4. U uszama svi su dani
November 1965
Da li čuješ, dragi[46] with Kruna Janković
  1. Da li čuješ, dragi
  2. Povetarac jutros se pikrao
  3. Noći tamna
  4. Da li pamtiš, zlato moje
November 1965
Bez tebe mi život pust i prazan[47]
  1. Bez tebe mi život pust i prazan
  2. Zašto te nema da dođeš
  3. Svake noći ja zaborav tražim
  4. Zašto ode da mi srce pati
21 June 1966
Nisam više, nano, djevojčica[48]
  1. Nisam više, nano, djevojčica
  2. Zašto sumnjaš, dragi
  3. Zašto moraš ti da odeš
  4. Zbog rastanka plaču oči
5 October 1966
Nikom neću reći da te volim[49] with Petar Tanasijević
  1. Nikom neću reći da te volim
  2. Pitala me zvijezda sjajna
  3. Ništa lijepše od prve ljubavi
  4. Otiš'o si bez pozdrava
10 October 1966
Volesmo se zlato moje with Petar Tanasijević
  1. Volesmo se zlato moje
  2. Karanfile cvijeće šareno
  3. Otiš'o si dragi
  4. U suzama svi su dani
Djevojke smo sa Morave[50] with Petar Tanasijević
  1. Djevojke smo sa Morave
  2. Znaš li dušo
  3. Da l' još, dragi, ljubav čuvaš
  4. Svake noći tebe čekam
10 November 1966
Krčmarice, daj mi vina[51] with Slavko Perović
  1. Krčmarice, daj mi vina
  2. Kada smo se sreli prvi put
  3. Katerina
  4. Dođi, neznanko draga
23 January 1967
Kad jednom odem[52]
  1. Kad jednom odem
  2. Najlijepša sam djevojčica bila
  3. Za tebe pjevam ovu pjesmu
  4. U večeri kad se dan smiruje
14 February 1967
Mujo šalje haber sa mjeseca[53] with Aleksandar Trandafilović
  1. Mujo šalje haber sa mjeseca
  2. Sejdefu majka buđaše
  3. A što ti je, mila kćeri, jelek raskopčan
  4. Ima dana kada ne znam šta da radim
11 May 1967
Od djevojke ništa draže[54] with Dragan Živković
  1. Od djevojke ništa draže
  2. Što te nema moj jarane
  3. Zaigraj kolo moje šareno
  4. Djevojčice garava
Naj - najlijepši[55]
  1. Naj - najlijepši
  2. Sama u svome bolu
  3. Ne vjeruj u priče te
  4. Tebe sam voljela
17 June 1968
Otiš'o si bez pozdrava[56]
  1. Otiš'o si bez pozdrava
  2. Kad ja pođem niz sokak
  3. Nad izvorom vrba se nadnela
  4. Ljubavi, vrati se
25 December 1968
Monja / Nad ozvorom vrba se nadnela[57] with The Montenegro Five
  1. Monja (sung by The Montenegro Five)
  2. Nad ozvorom vrba se nadnela (sung by Silvana Armenulić)
Daruj mi noć, daruj mi tren / Kap ljubavi
  1. Daruj mi noć, daruj mi tren
  2. Kap ljubavi
21 July 1969
Majko, oprosti mi[58]
  1. Majko, oprosti mi
  2. Sumorna jesen
  3. Dala sam ti mladost
  4. Sedam godina ljubavi
17 November 1969
Šta će mi život[59]
  1. Šta će mi život
  2. Kišo, kišo tiho padaj
  3. Srećo moja
  4. Ja nemam prava nikoga da volim
6 August 1970
Ostavite tugu moju / Život teče[60]
  1. Ostavite tugu moju
  2. Život teče
7 August 1970
Ženidba i ljubav[61]
  • Side A: Ženidba
  1. Dijalog Paun - Milorad
  2. Milorad i Silvana pjevaju u duetu kompoziciju iz špice
  3. Dijalog Paun – Živka
  • Side B: Ljubav
  1. Oj ljubavi, da te nije bilo
  2. Duet Milorad - Silvana
  3. Dijalog Živka – Milorad
2 November 1970
Život teče with Arsen Dedić
  1. Život teče (sung by Silvana Armenulić)
  2. Sve bilo je muzika (sung by Arsen Dedić)
4 November 1970
Ja molim za ljubav / Rane moje[62]
  1. Ja molim za ljubav
  2. Rane moje
15 June 1971
Majko oprosti
  1. Majko oprosti
  2. Najlijepša sam djevojčica bila
  3. Srećo moja
  4. Daruj mi noć, daruj mi tren
  5. Otiš'o si bez pozdrava
  6. Šta ce mi život
  7. Nad izvorom vrba se nadnela
  8. Kad ja pođem niz sokak
  9. Ja nemam prava nikoga da volim
  10. Ostavite tugu moju
  11. Kad jednom odem
  12. Život teče
16 June 1971
Jugo, moja Jugo / Kad se vratim u zavičaj[63]
  1. Jugo, moja Jugo
  2. Kad se vratim u zavičaj
27 September 1971
Grli me, ljubi me[64]
  1. Grli me, ljubi me
  2. Vrati se, vrati se
16 June 1972
Srce gori, jer te voli[65]
  1. Srce gori, jer te voli
  2. Živi život svoj
12 September 1972
Željna sam rodnog doma / A što ćemo ljubav kriti[66]
  1. Željna sam rodnog doma
  2. A što ćemo ljubav kriti
6 July 1973
Gdje si da si moj golube / Kad u jesen lišće žuti[67] with Predrag Gojković Cune
  1. Gdje si da si moj golube
  2. Kad u jesen lišće žuti
6 July 1973
Sama sam / Ciganine, sviraj sviraj[68]
  1. Sama sam
  2. Ciganine, sviraj sviraj
1 October 1973
Zaplakaće stara majka / Pamtiću uvijek tebe[


Kutak rezervisan za sjajnu umjetnicu


10.10. 76. – 10. 10. 2014 

Godine prolaze, a Silvana i dalje neiscrpna tema, njena pjesma lijek. Izgubila je život tragično sa 36 godina.  Sa njom su poginuli i harmonikaš Jašarević i sestra Mirjana.


Objavljeno 09.10.2014

Autor: E. MIlić Izvor: Aura

Deseti oktobar 76. godine ostat će zapisan u historiji balkanskih natroda kao dan koji je donio odlazak jedne od najvećih zvijezda na ovdašnjem umjetničkom nebu. U saobraćajnoj nesreći poginula je Silvana – Zilha Armenulić. Djevojačko Bajraktarević. Tog dana otišla je zvijezda – zvijezdama!

 U moru onih čiji se vijek trajanja mjeri u sekundama, Silvanin se evo mjeri decenijama. I vjerovatno će se mjeriti, analizirati i upoređivati vijekovima. To je sudbina besmtnih, onih kojima je ta ista sudbina namijenila odlazak u legendu.

 Njeno zlatno doba kao da nije ni malo izblijedilo ni danas, nakon 37 godina od pogibije.  Kao u sedemadestim godinama, kada su milioni pjevali i plakali uz njen božanski glas; Noćas mi srce pati, Rane moje, Nad izvorom, Da sam ptica, Ciganine, sviraj, sviraj…, i danas se slušaju i pjevaju.

 Silvana se kao umjetnica popela na sam vrh u godinama kada je sloboda tek probijala granice tadašnjih društvenih okova. Skinula je narodnu nošnju, okrenula se seksipilnom stajlingu i polako rušila tabue koje je Titovo društvo u tom trenutku imalo. Bila je kosmopolita, zlatno Titovo dijete. Bosanka, Bošnjakinja, udata za Srbina, a sve velike diskografske projekte izdavala za zagrebački Jugoton.

 Imala je i hrabosti, i snage. Atraktivna, elegantna, mudra, prelijepa, istovremeno nježna i gruba, senzualna i odvažna, ostat će upamćena kao ikona tadašnje estradne scene. Divica baršunastog glasa, kako su je zvali, nikoga nije ostavljala ravnodušnim. Fascinirala je pojavom, šarmom, glasovnim mogućnostima, kulturom… Sve je to učinilo jednom od najtraženijih, najpoželjnijih i najomiljenijih žena u Jugoslaviji. Zvali su je grješnom divom.

 Njena muzička zaostavština, možda u kvantitativnom pogledu i nije velika; dvadesetak komponovanih hitova, danas evergrina, te pedesetak sevdah pjesama i starogradskih bisera. Oprobala se i na filmskom platnu. Ostat će upamćeno da je svojim  savršenim tijelom i nezaboravnim licem nadahnula i legendarnog reditelja, publicistu i slikara Fadila Hadžića da uradi njen portret 1972. godine, koji i danas krasi njenu sobu. Fadil nije krio da je poželio da Silvanu ovjekovječi na jednom od svojih portreta.

 “Kraljica tuge i sevdaha” odnijela je u vječnost nostalgične i sjetne pjesme o nesretnim ljubavima, zavičajnoj ćežnji, rastancima… Počela je pjevati sa 16 godina u rodnom Doboju, a onda uz legendarne Ismeta Alajbegovića Šerbu, Acu Stepića, Himzu Polovinu… vinula se u estradne visine. Živjela je na četiri točka, putovala širom svijeta. Adrese stanovanja bile su Beograd, Doboj, Zagreb, Frankfurt…

 Na popularnost je čekala dosta dugo. Desetak godina. Kako se mlada udala za čuvenog tenisera sa ovih prostora i uglednog Beograđanina Radmila Armenulića i sa njim dobila kćerku, karijeru je zapostavila, a posvetila se njenom odgoju. Snimala je singl ploče, ali svojih pet minuta tek je dočekala, kada je 68/69. godinu snimila pjesmu braće Andrije i Tome Bajić Nad izvorom.

 Uslijedili su albumi, hitovi i popularnost. Ko god je čuo njene pjesme, koje je pjevala nevjerovatnom lakoćom i teško podnošljivom tugom, vidio je sliku nesretnih ljubavi, osjetio bol i tugu. Pjesme su pjevane srcem. Zato su ostale do današnj ih dana Šta će mi život, Rane moje, Ciganine Sviraj, sviraj, Dušo moja, Srce gori, Srećo moja…

 Godine prolaze, a seksipilna, atraktivna, agilna i neponovljiva Silvana – Zilha još je uvijek ono što je nekad  bila - neukroćena posebnost neobične ljepote, snažnog stava, spremna na sve rizike, ponosna, odvažna, puna kreativnih udara i iznenađenja, a u duši topla, nježna, emotivna. Bila je miljenik, junakinja milionske mladosti, a danas česta tema novih generacija, koje istražuju, dive joj se, prigrle njene pjesme.

 Nisam siguran da li je i u ovoj priči ispričana priča o legendarnoj Dobojki, slavnoj Silvani – Zilhi, koja je sahranjena u Beogradu pod imenom iz matične knjige rođenih i vjenčanih Zilha Atmenulić (Bajraktarević), uz dodatak njenog umjetničkog imena SILVANA.